by B.Z. Niditch
A funnel cloud
of warning
in the eye of a storm
presages high winds
over towns and villages
a mile over
these monster twisters
breaking us up
as a string of souls
become casualties
uncounted
trapped as in a war
under their homes
from a massive path
reported from the ground
in a few live pictures
wrapped in rain
from roofs
under cars
near now barren trees
of shelters
children salvaging
a few belongings
dolls, toys, firetrucks
from a leveled land
emerge as survivors.
B.Z. Niditch is a poet, playwright, fiction writer
and teacher. His work is widely published in journals and magazines
throughout the world, including Columbia: A Magazine of Poetry and Art, The Literary Review, Denver Quarterly, Hawaii Review, Le Guepard (France), Kadmos (France), Prism International, Jejune (Czech Republic), Leopold Bloom (Budapest), Antioch Review, and Prairie Schooner. He lives in Brookline, Massachusetts.
The New Verse News
THE NEWSWR@ANGLERS
The New Verse News presents politically progressive poetry on current events and topical issues. Submission Guidelines: Send previously unpublished poems in the body of an email to nvneditor@yahoo.com OR to nvneditor@gmail.com. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Tuesday, May 21, 2013
Monday, May 20, 2013
TEN SPEED NEWS CYCLE
by Frederick L. Shiels
Obama’s second term is doomed they say
Six months in, Press coroners pronounce it dead
The IRS chastised for chasing Tea
drinkers, Hillary’s inattention slaughters our
ambassador in Benghazi then
her crew make up stories,
Associated Press, Boston left unprotected so it goes
The best offense Defense, GOP says
This Right-serves the ‘libral’ pack for Watergate
And oh harassment of those do-good folk,
J Edgar’s files on King Seegar Baez, other threats,
The endless gottcha nothing new we say
Why knaves betraying knaves is how it works
Honored tradition, remember Lancaster and York?
The Romanovs and Bolsheviks parade
Their antics and Rasputin laughs
And so they think Obama cries
All tied in knots, he sighs
Thoreau said read the papers once a month
You’ll ‘not a thing miss’, he implied
It’s May, such flowers! adopt an earthworm better still
Turn off newschatter, go embrace the Countryside.
Frederick L. Shiels professored at Mercy College in history and politics starting in the Jimmy Carter years, 1977 and after. He has published poems in The New Verse News, The Hudson River Anthology (Vassar) and Wicker’s Creek (Mercy College), the latter two no longer publishing, and elsewhere. He has written on the bombing of civilians and, now, the future of progressivism in America.
![]() |
| Cartoon by Mike Luckovich |
Obama’s second term is doomed they say
Six months in, Press coroners pronounce it dead
The IRS chastised for chasing Tea
drinkers, Hillary’s inattention slaughters our
ambassador in Benghazi then
her crew make up stories,
Associated Press, Boston left unprotected so it goes
The best offense Defense, GOP says
This Right-serves the ‘libral’ pack for Watergate
And oh harassment of those do-good folk,
J Edgar’s files on King Seegar Baez, other threats,
The endless gottcha nothing new we say
Why knaves betraying knaves is how it works
Honored tradition, remember Lancaster and York?
The Romanovs and Bolsheviks parade
Their antics and Rasputin laughs
And so they think Obama cries
All tied in knots, he sighs
Thoreau said read the papers once a month
You’ll ‘not a thing miss’, he implied
It’s May, such flowers! adopt an earthworm better still
Turn off newschatter, go embrace the Countryside.
Frederick L. Shiels professored at Mercy College in history and politics starting in the Jimmy Carter years, 1977 and after. He has published poems in The New Verse News, The Hudson River Anthology (Vassar) and Wicker’s Creek (Mercy College), the latter two no longer publishing, and elsewhere. He has written on the bombing of civilians and, now, the future of progressivism in America.
Labels:
AP,
Benghazi,
Frederick L. Shiels,
GOP,
IRS,
J. Edgar Hoover,
new verse news,
obama,
poetry,
scandals,
Thoreau,
Watergate
Sunday, May 19, 2013
AESHA’S NEW NOSE
by Rick Gray
I don’t care if it’s fake.
Today I abandon all that is pure
In my highly-secured space
And race up to the sunlight blazing
On my Kabul roof to praise
Aesha's new nose.
May it reach forever
like the stem of this artificial flower
I raise above the frozen mountaintops
Where cold, clipping blades are rusting
in the melting fragrance
of a true, blooming rose.
Rick Gray served in the Peace Corps in Kenya and currently teaches at the American University of Afghanistan in Kabul. He was a finalist for the Editor's Award at Margie, and has an essay that will be appearing in the forthcoming book, Neither Here Nor There: An Anthology of Reverse Culture Shock.
I don’t care if it’s fake.
Today I abandon all that is pure
In my highly-secured space
And race up to the sunlight blazing
On my Kabul roof to praise
Aesha's new nose.
May it reach forever
like the stem of this artificial flower
I raise above the frozen mountaintops
Where cold, clipping blades are rusting
in the melting fragrance
of a true, blooming rose.
Rick Gray served in the Peace Corps in Kenya and currently teaches at the American University of Afghanistan in Kabul. He was a finalist for the Editor's Award at Margie, and has an essay that will be appearing in the forthcoming book, Neither Here Nor There: An Anthology of Reverse Culture Shock.
Saturday, May 18, 2013
ENLIGHTENMENT
by B.Z. Niditch
From his base
after Jack enlisted
he changed his mind
to be war resistant
trying to forget
the sand in his breath
and a thousand images
in a state of death,
What am I here for
he would ask
feeling out of breath
as Jack was handed
his appalling gas mask,
pulling his own weight
now hidden with his friend
Jackie in a trench
watching for an enemy
to what fateful end,
yet they became grateful
here on this park bench
when T.V. interviewed
even when AWOL
they called for peace,
their mind was renewed
and the world made sense
when all wars could cease
and they would make
a difference.
B.Z. Niditch is a poet, playwright, fiction writer and teacher. His work is widely published in journals and magazines throughout the world, including Columbia: A Magazine of Poetry and Art, The Literary Review, Denver Quarterly, Hawaii Review, Le Guepard (France), Kadmos (France), Prism International, Jejune (Czech Republic), Leopold Bloom (Budapest), Antioch Review, and Prairie Schooner. He lives in Brookline, Massachusetts.
![]() |
| Image source: http://www.stopthesewars.org/ |
From his base
after Jack enlisted
he changed his mind
to be war resistant
trying to forget
the sand in his breath
and a thousand images
in a state of death,
What am I here for
he would ask
feeling out of breath
as Jack was handed
his appalling gas mask,
pulling his own weight
now hidden with his friend
Jackie in a trench
watching for an enemy
to what fateful end,
yet they became grateful
here on this park bench
when T.V. interviewed
even when AWOL
they called for peace,
their mind was renewed
and the world made sense
when all wars could cease
and they would make
a difference.
B.Z. Niditch is a poet, playwright, fiction writer and teacher. His work is widely published in journals and magazines throughout the world, including Columbia: A Magazine of Poetry and Art, The Literary Review, Denver Quarterly, Hawaii Review, Le Guepard (France), Kadmos (France), Prism International, Jejune (Czech Republic), Leopold Bloom (Budapest), Antioch Review, and Prairie Schooner. He lives in Brookline, Massachusetts.
Labels:
AWOL,
B.Z. Niditch,
new verse news,
peace,
poetry,
resistance,
veterans,
war
Friday, May 17, 2013
THERE WILL BE PARTIES
by Atar Hadari
Margaret Thatcher has died. There will be parties
Up and down the seams of coal
At the Trades Club, the Workers’ Associations, tubs
Of ale will be up-ended, dominoes
Will click across the boards, foaming mugs fail
To capture what the people will try to carol
That she didn’t quite stamp the soul
Out of every seam of the remaining factory trail,
Out of every cup in a palm held out for some help.
But will they be rejoicing
Equally in the halls
Where those who ruled this country fully
Before Margaret now rule it all
And for a while they were haunted
By this girl who knew every call
Of the metallurgist’s numbered table,
She knew what was silver, what was gold
And the basest element – the fire
That burns in people’s soul
That she knew how to ignite with a lyre
And it is burning again, now that she no longer cares
Burning and turning, turning like a ribbon in the wind,
A flag, like something from the Wat Tyler rebellion
Before he was cut down by the King’s men.
Atar Hadari was born in Israel, raised in England, and studied poetry in the US. His Songs from Bialik: Selected Poems of H. N. Bialik (Syracuse University Press) was a finalist for the American Literary Translators’ Association Award, his collection Rembrandt’s Bible will be published by Indigo Dreams on July 8.
Margaret Thatcher has died. There will be parties
Up and down the seams of coal
At the Trades Club, the Workers’ Associations, tubs
Of ale will be up-ended, dominoes
Will click across the boards, foaming mugs fail
To capture what the people will try to carol
That she didn’t quite stamp the soul
Out of every seam of the remaining factory trail,
Out of every cup in a palm held out for some help.
But will they be rejoicing
Equally in the halls
Where those who ruled this country fully
Before Margaret now rule it all
And for a while they were haunted
By this girl who knew every call
Of the metallurgist’s numbered table,
She knew what was silver, what was gold
And the basest element – the fire
That burns in people’s soul
That she knew how to ignite with a lyre
And it is burning again, now that she no longer cares
Burning and turning, turning like a ribbon in the wind,
A flag, like something from the Wat Tyler rebellion
Before he was cut down by the King’s men.
Atar Hadari was born in Israel, raised in England, and studied poetry in the US. His Songs from Bialik: Selected Poems of H. N. Bialik (Syracuse University Press) was a finalist for the American Literary Translators’ Association Award, his collection Rembrandt’s Bible will be published by Indigo Dreams on July 8.
Labels:
Atar Hadari,
factory,
fire,
gold,
Margaret Thatcher,
new verse news,
poetry,
rebellion,
silver,
Trades Club,
Watt Tyler,
Workers
Thursday, May 16, 2013
THE WIRETAPPERS BALL
by Deborah Gang
An FBI internet surveillance unit will collaborate with the coming NSA data center in Utah to decipher and monitor email between private citizens. Homeland Security recently began to monitor social media using version 2.1.3 key words & search terms.*
Some are obvious. Do not use assassination,
Taliban, bomb, bomb squad, bomb threat.
Al Qaeda (all spellings). But electric? Blackout.
Metro. Power. Smart? Is it worth the risk to say
failure? Dock. Airport. Airplane and its derivatives.
Cancelled. Delays. Flood. Snow. Blizzard.
Why, these are some of your necessary words--
everyone’s necessary words. If you suffer blizzards
you need to talk about them and if you don’t, you
need to gloat. Wildfire. Ice. Stranded. Stuck.
Temblor. All suspect. Use sleet at your own risk
along with plague. Plume. Enriched. Collapse.
They have marked the best words as hazardous.
Including hazardous. Breach. Mudslide. Grid. San Diego!
Say goodbye to relief and closure. And cyber terror.
Cyber terror is not to be used. Warning
is on the list.
*Sources:
*Sources:
- "The Department of Homeland Security Is Searching Your Facebook and Twitter for These Words" by Joel Johnson, Animal New York, February 27, 2012.
- "The NSA Is Building the Country’s Biggest Spy Center (Watch What You Say)" by James Bamford Wired, March 15, 2012.
- "Avoid these words to prevent Homeland Security from spying on your social networks"
--Technology News Blog by Tecca, Today in Tech, Yahoo! News, May 29, 2012. - "U.S. Terrorism Agency to Tap a Vast Database of Citizens" by Julia Angwin, The Wall Street Journal, December 13, 2012.
Originally from Washington D.C., Deborah Gang moved to Kalamazoo, Michigan to attend graduate school and remained there, both for her work as a psychotherapist and the proximity to Lake Michigan. Her research has been published in Education and Treatment of Children and her prose and poems in Literary Mama, Encore, The Michigan Poet and J Journal (CUNY).
Wednesday, May 15, 2013
PICKING UP A HITCHHIKER IN MAY
by Rosemerry Wahtola Trommer
It’s messy when they die
in winter, he says. The dirt
is too cold to work with then.
I tell him I will consider this
when I die. Just give me two-weeks’
notice, he says, quoting a joke,
and it occurs to me humor
must be an unwritten
prerequisite for a grave digger.
I ask him what he thinks
about the recent uproar in Boston,
no one wanting the bomber
buried in their own backyard.
Well, he says, I’ve always thought
we should have a special section
for the politicians. We could put
him here with them—in a place where
we let the dogs run.
In the space before I laugh,
I remember the story
the undertaker told about how
in the middle ages they considered
suicide the ultimate crime.
But since you can’t punish a dead man,
they took out their ire on his corpse
and buried it at a crossroads
to be trod on forever. He said,
“If we do not take care of dead humans,
we become less human ourselves.”
The man next to me says,
“You know, I give every person I bury
the gravedigger’s promise.”
We are almost to the cemetery gate.
“I say, I’m the last person who’s ever gonna
let you down, and the last one
who’ll ever throw dirt on you.”
He laughs a laugh so real
I can smell the earth thawing in it.
Rosemerry Wahtola Trommer’s poetry has appeared in O Magazine, in back alleys, on A Prairie Home Companion and in her children’s lunch boxes. She is a parent educator for Parents as Teachers. Favorite one-word mantra: Adjust.
"The burial of the dead is Humanity 101."
—Thomas Lynch, undertaker and poet, NPR, May 6, 2013
It’s messy when they die
in winter, he says. The dirt
is too cold to work with then.
I tell him I will consider this
when I die. Just give me two-weeks’
notice, he says, quoting a joke,
and it occurs to me humor
must be an unwritten
prerequisite for a grave digger.
I ask him what he thinks
about the recent uproar in Boston,
no one wanting the bomber
buried in their own backyard.
Well, he says, I’ve always thought
we should have a special section
for the politicians. We could put
him here with them—in a place where
we let the dogs run.
In the space before I laugh,
I remember the story
the undertaker told about how
in the middle ages they considered
suicide the ultimate crime.
But since you can’t punish a dead man,
they took out their ire on his corpse
and buried it at a crossroads
to be trod on forever. He said,
“If we do not take care of dead humans,
we become less human ourselves.”
The man next to me says,
“You know, I give every person I bury
the gravedigger’s promise.”
We are almost to the cemetery gate.
“I say, I’m the last person who’s ever gonna
let you down, and the last one
who’ll ever throw dirt on you.”
He laughs a laugh so real
I can smell the earth thawing in it.
Rosemerry Wahtola Trommer’s poetry has appeared in O Magazine, in back alleys, on A Prairie Home Companion and in her children’s lunch boxes. She is a parent educator for Parents as Teachers. Favorite one-word mantra: Adjust.
Tuesday, May 14, 2013
WITHOUT
by Shirley J. Brewer
—Dancer Loses Foot in Boston Marathon Bombings
from a newspaper headline
Smoke and glass,
hell sounds, her foot gone—
the amputation of a dream.
Just one day since
her toes painted
a promising pink.
She had asked for glitter;
severed sparkles
now rouged with blood.
They rush her off
without the limb that bore her
through every waltz, rumba, tango.
No time for farewells,
only a tourniquet
speaks for the ordinary
strapless-sandal-moments, a burst
of music—her footsteps light
on the safe and steady ballroom floor.
Shirley J. Brewer ( Baltimore , MD ) is a poet, educator, and workshop facilitator. Publication credits: The Cortland Review, Innisfree Poetry Journal, Pearl, Comstock Review, Loch Raven Review, Passager, and other journals. Her poetry books include A Little Breast Music, 2008, Passager Books and After Words, 2013, Apprentice House/Loyola University. M.A. Creative Writing/Publishing Arts, University of Baltimore.
Monday, May 13, 2013
WIFE SOUGHT FOR QUESTIONING IN BLAZE
by Darlene Pagan
She never imagined the sheet she lit
would curl him in its hot tongue, never
believed he wouldn’t wake in those flames,
throw back the covers, and wash his feet like
she’d been asking him every night before bed.
The air buzzed with a lightning storm.
The chickens refused to lay and no matter
how long or hard she kneaded the dough,
all morning, the loaves cooked up
dense and hard as baseball bats.
At least, no child again this month.
A photo of them as newlyweds, so young
they look like children playing dress up,
hangs in the hallway. Too stubborn to quit
a decade later and now look where it’s got them.
Black petals fall. Bits of sheet, newly caught
rise like cardinals. A door opens, the wind
roars, timbers spit and splinter until she finds
herself outside in the grass watching
lightning split a sycamore. She looks from
the tree to the body they’re pulling too late
from the burning house. She believes it
when she tells them she has no idea who he is.
Darlene Pagan teaches at Pacific University in Oregon, where she lives with her husband and sons. A book of poems, Blue Ghosts, was published with Finishing Line Press. Her poetry and essays have most recently appeared in journals such as Calyx, Hayden’s Ferry Review, The Madison Review, Poet Lore, Hiram Poetry Review, Hawaii Pacific Review, Memoir(and), Brevity, and Literal Latté, among others. Pagan recently completed a full-length poetry project tentatively titled, Setting the Fire. She loves to bike, hike, dig at the beach, walk in the rain, sing, and ride roller coasters now that her boys are just tall enough to ride.
![]() |
| Image credit: defokes / 123RF Stock Photo |
She never imagined the sheet she lit
would curl him in its hot tongue, never
believed he wouldn’t wake in those flames,
throw back the covers, and wash his feet like
she’d been asking him every night before bed.
The air buzzed with a lightning storm.
The chickens refused to lay and no matter
how long or hard she kneaded the dough,
all morning, the loaves cooked up
dense and hard as baseball bats.
At least, no child again this month.
A photo of them as newlyweds, so young
they look like children playing dress up,
hangs in the hallway. Too stubborn to quit
a decade later and now look where it’s got them.
Black petals fall. Bits of sheet, newly caught
rise like cardinals. A door opens, the wind
roars, timbers spit and splinter until she finds
herself outside in the grass watching
lightning split a sycamore. She looks from
the tree to the body they’re pulling too late
from the burning house. She believes it
when she tells them she has no idea who he is.
Darlene Pagan teaches at Pacific University in Oregon, where she lives with her husband and sons. A book of poems, Blue Ghosts, was published with Finishing Line Press. Her poetry and essays have most recently appeared in journals such as Calyx, Hayden’s Ferry Review, The Madison Review, Poet Lore, Hiram Poetry Review, Hawaii Pacific Review, Memoir(and), Brevity, and Literal Latté, among others. Pagan recently completed a full-length poetry project tentatively titled, Setting the Fire. She loves to bike, hike, dig at the beach, walk in the rain, sing, and ride roller coasters now that her boys are just tall enough to ride.
Sunday, May 12, 2013
WOMEN'S RITES
by Tricia Knoll
The crossword puzzle clue for 2 down
required a word for women’s rites leader.
I couldn’t parse any cross-current lines.
I combed through suffragettes and freedom fighters.
Sojourner, Amelia, Victoria, Abigail, Elizabeth and
tried to cram their names in. Margaret Sanger? Shacklers
to the White House gates? Rosa? Jane Roe?
Then I read it right -- rites.
The woman priest, absolver of wrongs?
Desolver of woes? Healer of hurts?
End-of-days angel? Candlemaker?
Coiler of the womb cord? Doula?
She-who-washes-the-dead?
Nothing fit.
Peacemaker
Apple plucker
Palm reader
Stonemason
Bread baker
Bee tender
Bed maker
Caretaker
Crone
Godmother
Goddess
Sorceress
Star eater
The answer in the next day’s paper: mother.
Tricia Knoll is a Portland, Oregon poet and a proud mother.
![]() |
| Image: A Mama’s Day E-card available from Strong Families |
The crossword puzzle clue for 2 down
required a word for women’s rites leader.
I couldn’t parse any cross-current lines.
I combed through suffragettes and freedom fighters.
Sojourner, Amelia, Victoria, Abigail, Elizabeth and
tried to cram their names in. Margaret Sanger? Shacklers
to the White House gates? Rosa? Jane Roe?
Then I read it right -- rites.
The woman priest, absolver of wrongs?
Desolver of woes? Healer of hurts?
End-of-days angel? Candlemaker?
Coiler of the womb cord? Doula?
She-who-washes-the-dead?
Nothing fit.
Peacemaker
Apple plucker
Palm reader
Stonemason
Bread baker
Bee tender
Bed maker
Caretaker
Crone
Godmother
Goddess
Sorceress
Star eater
The answer in the next day’s paper: mother.
Tricia Knoll is a Portland, Oregon poet and a proud mother.
Saturday, May 11, 2013
OUR RUIN
by Amy Holman
Today, all the old houses
have hidden harrowed humans,
and the midden of their captors,
their own enduring bodies--
or so it seems when the flask
from the inside jacket pocket offers
us our ruin: society on the news.
Even the laureate of Fresno
turns a stick-up into stature,
lines of brutal fighting in his corner
market. As usual the armed forces
are a locked room in a foreclosed
house with a girl pounding
on a dirty window. We wonder
who she is, but not ourselves,
frowning on the doorstep.
Amy Holman is the author of Wrens Fly Through This Opened Window, published in 2010 with Somondoco Press. The news is one of her favorite sources for topics, and poems have previously appeared in New Verse News. Recent poetry and prose is in The Same, Marco Polo Arts Magazine, and Zocolo Public Square. She teaches poetry at The Hudson Valley Writers Center, and is a literary consultant in Brooklyn, NY.
Today, all the old houses
have hidden harrowed humans,
and the midden of their captors,
their own enduring bodies--
or so it seems when the flask
from the inside jacket pocket offers
us our ruin: society on the news.
Even the laureate of Fresno
turns a stick-up into stature,
lines of brutal fighting in his corner
market. As usual the armed forces
are a locked room in a foreclosed
house with a girl pounding
on a dirty window. We wonder
who she is, but not ourselves,
frowning on the doorstep.
Amy Holman is the author of Wrens Fly Through This Opened Window, published in 2010 with Somondoco Press. The news is one of her favorite sources for topics, and poems have previously appeared in New Verse News. Recent poetry and prose is in The Same, Marco Polo Arts Magazine, and Zocolo Public Square. She teaches poetry at The Hudson Valley Writers Center, and is a literary consultant in Brooklyn, NY.
Labels:
Amy Holman,
captor,
doorstep,
Fresno,
Gatsby,
hidden,
houses,
new verse news,
Ohio kidnapping,
poet laureate,
poetry
Friday, May 10, 2013
OF CARPENTER BEES AND BENGHAZI
by Earl J. Wilcox
Frankly, I am intimidated by the size,
the sounds of big black bees.
though experts say these loud, raucous
insects are not dangerous,
seldom sting, even if cornered in a hole
or near my seat on the pergola
where these Genus Xylocopa systematically
burrow deeper and deeper
into the cross pilings of my shady nook.
Yet when I glance up
from my book, see the pilfering pistons
drilling a shaft to lay
their dark and sinister eggs, I am dazzled,
and damned at the same time.
No Yin and Yang moral for me this May,
or in any month when
these bees egg on my impulse to swat
them down as though
they are a swarm of clever- tongued
bellicose Republicans bedazzling
the universe about Benghazi.
Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to TheNew Verse News. More of Earl's poetry appears at his blog, Writing by Earl.
![]() |
| Cartoon by Steve Sack |
Frankly, I am intimidated by the size,
the sounds of big black bees.
though experts say these loud, raucous
insects are not dangerous,
seldom sting, even if cornered in a hole
or near my seat on the pergola
where these Genus Xylocopa systematically
burrow deeper and deeper
into the cross pilings of my shady nook.
Yet when I glance up
from my book, see the pilfering pistons
drilling a shaft to lay
their dark and sinister eggs, I am dazzled,
and damned at the same time.
No Yin and Yang moral for me this May,
or in any month when
these bees egg on my impulse to swat
them down as though
they are a swarm of clever- tongued
bellicose Republicans bedazzling
the universe about Benghazi.
Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to TheNew Verse News. More of Earl's poetry appears at his blog, Writing by Earl.
Labels:
Benghazi,
carpenter bees,
Earl. J. Wilcox,
new verse news,
poetry,
REPUBLICANS,
Xylocopa
Thursday, May 09, 2013
UNTHINKABLE
by Ed Bennett
COLLEGE PARK, Maryland (Reuters) May 7, 2013 – Exiled Tibetan spiritual leader the Dalai Lama on Tuesday decried Buddhist monks’ attacks on Muslims in Myanmar, saying killing in the name of religion was “unthinkable”.
East and West,
different in temperament
and religious thought
yet closer than imagined,
Enlightened One.
We bear the stink
of murdered saviors in
our advanced Western tribes;
our savagery worshiped
as an act of commemoration
that leaps from holy texts
to pretexts for slaughter
in the name of an abandoned God.
Good and Evil
wrap their tendrils
at each other’s throat and fist
so say your Wrathful Budhisattvas
and now your children bring fire,
bring wrath to every infidel
as a liberation for their soul.
It is, Enlightened One, eminently thinkable
when night obscures starlight
and flames quench the darkness.
One must consider the unspoken precept:
human nature trumps a tranquil soul.
Ed Bennett is a poet and reviewer living in Las Vegas, NV. His works have appeared in The Externalist, Touch: The Journal of Healing, The Lavender Review, Quill and Parchment and Lilipo. He is a staff editor for Quill and Parchment Magazine, the recipient of a Pushcart Nomination and the author of “A Transit of Venus”.
COLLEGE PARK, Maryland (Reuters) May 7, 2013 – Exiled Tibetan spiritual leader the Dalai Lama on Tuesday decried Buddhist monks’ attacks on Muslims in Myanmar, saying killing in the name of religion was “unthinkable”.
East and West,
different in temperament
and religious thought
yet closer than imagined,
Enlightened One.
We bear the stink
of murdered saviors in
our advanced Western tribes;
our savagery worshiped
as an act of commemoration
that leaps from holy texts
to pretexts for slaughter
in the name of an abandoned God.
Good and Evil
wrap their tendrils
at each other’s throat and fist
so say your Wrathful Budhisattvas
and now your children bring fire,
bring wrath to every infidel
as a liberation for their soul.
It is, Enlightened One, eminently thinkable
when night obscures starlight
and flames quench the darkness.
One must consider the unspoken precept:
human nature trumps a tranquil soul.
Ed Bennett is a poet and reviewer living in Las Vegas, NV. His works have appeared in The Externalist, Touch: The Journal of Healing, The Lavender Review, Quill and Parchment and Lilipo. He is a staff editor for Quill and Parchment Magazine, the recipient of a Pushcart Nomination and the author of “A Transit of Venus”.
Labels:
Buddhist,
Budhisattvas,
Burma,
Dalai Lama,
Ed Bennett,
Enlightened One,
genocide,
killing,
Muslims,
Myanmar,
new verse news,
poetry
Wednesday, May 08, 2013
AT THE BANKRUPTCY HEARING
by Matthew Hummer
We sit in plastic chairs in a hotel
conference room, overflow
for the flood of contracts ruptured
while Wall Street and Washington
bought “get out of jail free.”
The judge grills a mechanic: his assets,
tools, tow truck, garage, lift
will liquidate to satisfy the banker’s need.
We are all next.
The judge calls
a name. Consuela walks to the front
and sits at the table, skirted for brunch.
We hear her debts read aloud—
the public shaming the Constitution allows,
having banned debtor’s prison.
The officer of the court rattles off names
like a hostess calling parties for seating.
I tell my wife to remove her rings.
We take our turn at the stocks,
and then slip out the side door,
without looking back at the rest,
debtors, whose communion we’ve joined.
Matthew Hummer is a teacher, father, and husband. He is also an M.F.A. candidate in Creative Writing at Sewanee, The University of the South.
We sit in plastic chairs in a hotel
conference room, overflow
for the flood of contracts ruptured
while Wall Street and Washington
bought “get out of jail free.”
The judge grills a mechanic: his assets,
tools, tow truck, garage, lift
will liquidate to satisfy the banker’s need.
We are all next.
The judge calls
a name. Consuela walks to the front
and sits at the table, skirted for brunch.
We hear her debts read aloud—
the public shaming the Constitution allows,
having banned debtor’s prison.
The officer of the court rattles off names
like a hostess calling parties for seating.
I tell my wife to remove her rings.
We take our turn at the stocks,
and then slip out the side door,
without looking back at the rest,
debtors, whose communion we’ve joined.
Matthew Hummer is a teacher, father, and husband. He is also an M.F.A. candidate in Creative Writing at Sewanee, The University of the South.
Labels:
bankruptcy,
Constitution,
Consuela,
debtor,
judge,
Matthew Hummer,
new verse news,
poetry,
stocks,
Wall Street,
Washington
Tuesday, May 07, 2013
TOLERANCE PERCHANCE
by The Bangkok Bards
Charles Frederickson & Saknarin Chinayote
Charles Frederickson & Saknarin Chinayote
Buddhists Christians Hindus Jews Muslims
Believe in compassionate multiversity values
Humility kindness dignity mutual respect
Civilized compromises agreeing to disagree
BALANCE
Same-same yet somehow different
Seen through refocused laser gaze
Cherish our commonalities honor discrepancies
Superiority complexes falling through cracks
ENDURANCE
Religions teach empathy not enmity
Universal red blood donor brotherhood
Imperfect beings inhabiting peaceful planet
Sacred principles uncovered deep within
FORBEARANCE
Education learning life-altering lessons
One’s enemy the best teacher
Common sense accepting forgiveness as
Rare as quality of mercy
SUFFERANCE
True lie lovers worshiping freedoms
Telescopic visionaries modifying radical approaches
Irrespective of perverse background perspectives
Matter-of-fact conscience conviction not convenience
REASSURANCE
Acknowledging disowned zero level tolerance
Bent on hateful fear violence
Distorted mirror image shattered stereotypes
Up-tight bigoted assholes prejudicing mindsets
No Holds Bard Dr. Charles Frederickson and Mr. Saknarin Chinayote proudly present YouTube mini-movies @ YouTube – CharlesThai1 .
Monday, May 06, 2013
THE CICADAS ARE COMING
by Joan Mazza
Seventeen years they’ve been burrowing deep in tree roots,
waiting for their time to wriggle out of their exoskeletons
and take wing, males singing to attract females. The woods
in the afternoons transformed into a noisy singles bar.
The last time the red-eyed brood emerged, I was visiting
in Virginia, guest from Florida, not a resident.
I slept with windows wide, welcomed that chorus
louder than frogs, natural and shrill, an improvement
over motorcycles, sirens of ambulances and fire engines,
Fort Lauderdale’s ceaseless traffic spewing exhaust.
A bonanza of a buffet for wildlife, they dropped
from trees onto our lunch tables. Delighting in delicate
segmented wings, I photographed portraits. Listening now,
I anticipate the din, thunderous as a jackhammer,
with earplugs and an extra feather pillow for over my head,
ready to welcome the natural world I moved here to love.
Joan Mazza has worked as a medical microbiologist, psychotherapist, sex therapist, writing coach, and seminar leader. She is the author of six books, including Dreaming Your Real Self (Perigee/Penguin/Putnam), and her work has appeared in Cider Press Review, Rattle, Off the Coast, Kestrel, Permafrost, Slipstream, Timber Creek Review, The MacGuffin, Writer’s Digest, The Fourth River, the minnesota review, Personal Journaling, New Verse News, Playgirl and many other publications. She ran away from the hurricanes of South Florida to be surprised by the earthquakes and tornadoes of rural central Virginia, where she writes poetry and does fabric and paper art.
Seventeen years they’ve been burrowing deep in tree roots,
waiting for their time to wriggle out of their exoskeletons
and take wing, males singing to attract females. The woods
in the afternoons transformed into a noisy singles bar.
The last time the red-eyed brood emerged, I was visiting
in Virginia, guest from Florida, not a resident.
I slept with windows wide, welcomed that chorus
louder than frogs, natural and shrill, an improvement
over motorcycles, sirens of ambulances and fire engines,
Fort Lauderdale’s ceaseless traffic spewing exhaust.
A bonanza of a buffet for wildlife, they dropped
from trees onto our lunch tables. Delighting in delicate
segmented wings, I photographed portraits. Listening now,
I anticipate the din, thunderous as a jackhammer,
with earplugs and an extra feather pillow for over my head,
ready to welcome the natural world I moved here to love.
Joan Mazza has worked as a medical microbiologist, psychotherapist, sex therapist, writing coach, and seminar leader. She is the author of six books, including Dreaming Your Real Self (Perigee/Penguin/Putnam), and her work has appeared in Cider Press Review, Rattle, Off the Coast, Kestrel, Permafrost, Slipstream, Timber Creek Review, The MacGuffin, Writer’s Digest, The Fourth River, the minnesota review, Personal Journaling, New Verse News, Playgirl and many other publications. She ran away from the hurricanes of South Florida to be surprised by the earthquakes and tornadoes of rural central Virginia, where she writes poetry and does fabric and paper art.
Labels:
17-year cycle,
2013,
Brood II,
cicada,
Joan Mazza,
new verse news,
poetry,
Virginia
Sunday, May 05, 2013
DISCONNECT
by Rick Gray
In this dishonest script, my brother,
We must pretend no one is listening in,
and we are not men, but children
Put to sleep with lullabies so sweet
You’ll want to scream
When the next bombing hits
and our connection breaks into a
quagmire of static.
Rick Gray served in the Peace Corps in Kenya and currently teaches at the American University of Afghanistan in Kabul. He was a finalist for the Editor's Award at Margie, and has an essay that will be appearing in the forthcoming book, Neither Here Nor There: An Anthology of Reverse Culture Shock.
![]() |
| Image by Joe |
In this dishonest script, my brother,
We must pretend no one is listening in,
and we are not men, but children
Put to sleep with lullabies so sweet
You’ll want to scream
When the next bombing hits
and our connection breaks into a
quagmire of static.
Rick Gray served in the Peace Corps in Kenya and currently teaches at the American University of Afghanistan in Kabul. He was a finalist for the Editor's Award at Margie, and has an essay that will be appearing in the forthcoming book, Neither Here Nor There: An Anthology of Reverse Culture Shock.
Saturday, May 04, 2013
CRUEL APRIL
by Judy Kronenfeld
after the Boston Marathon, and after seeing
the documentary, “Syria behind the Lines”
Crystalline cool days—bougainvillea
spills from our walls like rivulets
outdoing one another, like lavish
manes of brilliant, curly scarlet
tossed flirtatiously by the wind—
and in our yard, exploding galaxies
of snow-in-summer; popped up orange liqueur
poppy cups; torches of white iris…
Exploding fire, and the red ochre of blood
spattered over Boylston Street, as if a dark perversion
of Holi came frenzied through—no playful
faces splashed marigold, indigo,
saffron praising spring—leaving behind shreds
of clothes, glass, flesh…
And in Syria, somewhere, again
and again, convulsed young faces
buried in the chests of older men,
whose hands pull the faces in to blot out
what they’re seeing and their screaming,
so the fighting can go on.
Still in Syria somewhere—opulence
of nets of oranges and grapefruits
hanging above the fruit-juice stands piled
with lemons, carrots, melons? Is there hope
for cool sweetness in the throat—intensities
of blended watermelon, strawberry,
banana, milk, honey, mint—families strolling
in the cooling midnight streets, old men
playing chess on 2 A.M. sidewalks…?
On a talk show two broadcasters
argue almost raucously over
whether a newspaper was right
to cut off at the knees a photo
of a man’s legs blasted off below
the knees, in Boston…
And, somewhere, in Syria, again,
and again, a dreamy, peaceful
sweetness sweeps over the bearded face
of a very young man, many times wounded,
many times returned to the rebel lines—
who has already or will join al-Nusra—as he speaks
of his hope to become a martyr.
Here, at home, in California,
where the bougainvillea bursts
in a frenzy of bloom, two friends—a relative,
a poet—dead in the ordinary old way,
of early cancer, of old age.
Judy Kronenfeld’s most recent collections of poetry are Shimmer (WordTech Editions, 2012) and the second edition of Light Lowering in Diminished Sevenths, winner of The Litchfield Review Poetry Book Prize for 2007 (Antrim House, 2012). Recent anthology appearances include Before There Is Nowhere to Stand: Palestine/Israel: Poets Respond to the Struggle (Lost Horse Press, 2012) and Love over 60: An Anthology of Women's Poems (Mayapple Press, 2010). Her poems have appeared in many print and online journals such as Calyx, Cimarron Review, The American Poetry Journal, Fox Chase Review, Foundling Review, Innisfree Poetry Journal, Hiram Poetry Review, Natural Bridge, New Verse News, The Pedestal, Poetry International, Spoon River Poetry Review, Stirring, and The Women’s Review of Books.
after the Boston Marathon, and after seeing
the documentary, “Syria behind the Lines”
Crystalline cool days—bougainvillea
spills from our walls like rivulets
outdoing one another, like lavish
manes of brilliant, curly scarlet
tossed flirtatiously by the wind—
and in our yard, exploding galaxies
of snow-in-summer; popped up orange liqueur
poppy cups; torches of white iris…
Exploding fire, and the red ochre of blood
spattered over Boylston Street, as if a dark perversion
of Holi came frenzied through—no playful
faces splashed marigold, indigo,
saffron praising spring—leaving behind shreds
of clothes, glass, flesh…
And in Syria, somewhere, again
and again, convulsed young faces
buried in the chests of older men,
whose hands pull the faces in to blot out
what they’re seeing and their screaming,
so the fighting can go on.
Still in Syria somewhere—opulence
of nets of oranges and grapefruits
hanging above the fruit-juice stands piled
with lemons, carrots, melons? Is there hope
for cool sweetness in the throat—intensities
of blended watermelon, strawberry,
banana, milk, honey, mint—families strolling
in the cooling midnight streets, old men
playing chess on 2 A.M. sidewalks…?
On a talk show two broadcasters
argue almost raucously over
whether a newspaper was right
to cut off at the knees a photo
of a man’s legs blasted off below
the knees, in Boston…
And, somewhere, in Syria, again,
and again, a dreamy, peaceful
sweetness sweeps over the bearded face
of a very young man, many times wounded,
many times returned to the rebel lines—
who has already or will join al-Nusra—as he speaks
of his hope to become a martyr.
Here, at home, in California,
where the bougainvillea bursts
in a frenzy of bloom, two friends—a relative,
a poet—dead in the ordinary old way,
of early cancer, of old age.
Judy Kronenfeld’s most recent collections of poetry are Shimmer (WordTech Editions, 2012) and the second edition of Light Lowering in Diminished Sevenths, winner of The Litchfield Review Poetry Book Prize for 2007 (Antrim House, 2012). Recent anthology appearances include Before There Is Nowhere to Stand: Palestine/Israel: Poets Respond to the Struggle (Lost Horse Press, 2012) and Love over 60: An Anthology of Women's Poems (Mayapple Press, 2010). Her poems have appeared in many print and online journals such as Calyx, Cimarron Review, The American Poetry Journal, Fox Chase Review, Foundling Review, Innisfree Poetry Journal, Hiram Poetry Review, Natural Bridge, New Verse News, The Pedestal, Poetry International, Spoon River Poetry Review, Stirring, and The Women’s Review of Books.
Labels:
al-Nusra,
April,
bombs,
Boston,
Boston Marathon,
Boylston Street,
broadcasters,
California,
cancer,
death,
Holi,
Judy Kronenfeld,
martyr,
new verse news,
poet,
poetry,
Syria
Friday, May 03, 2013
THE POVERTY OF PHILOSOPHY
![]() |
| Image source: archaeology & arts |
I waved a dollar
out the window.
We brushed hands
as he took it.
Thank you,
he said.
I said nothing,
just rolled
my window up
and waited
with renewed
impatience
for the light
to change.
You know
how it is,
I couldn’t help
but doubt,
at least a little,
the crudely
lettered sign
he held.
Then I remembered
that cavemen
depicted
running animals
by giving them
eight legs.
Howie Good, a journalism professor at SUNY New Paltz, is the author of five poetry collections, most recently Cryptic Endearments from Knives Forks & Spoons Press. He has a number of chapbooks forthcoming, including Elephant Gun from Dog on a Chain Press. His poetry has been nominated multiple times for the Pushcart Prize and Best of the Net anthology. goodh51(at)gmail.com.
Labels:
beggar,
cave painting,
Howie Good,
new verse news,
poetry,
running bison
Thursday, May 02, 2013
LITTLE THINGS AND BIG THINGS
by John Kotula

John Kotula is a writer and artist who lives in Peace Dale, Rhode Island.

A terrible, terribly damaged boy nearly bleeds to death in a boat, under a tarp, in somebody’s back yard. Yes, he has blood on his hands and worse. How have we let this happen to one of our boys? But no one will say they are broken hearted. They will only say they are strong. “You picked the wrong city this time,” they say. I just want to cry for a while and hold each other.
My granddaughter is fussing in her car seat. I corkscrew my arm back and grope around for her blinky. I help her get it to her mouth. My beautiful daughter smiles at her beautiful daughter in the rearview mirror. The baby grabs my index finger in her damp, four month old fist and goes back to sleep. Something to suck on, the purr of the motor, someone within reach who loves her, is all she needs for contentment.
Way up in the mountains of Honduras there are plans to build a dam that no one needs or wants. It will make rich Hondurans richer. They will siphon off their share. It will make rich Americans richer. They will sell unsustainable technology to the rich Honduras. Some how the Chinese are involved. Some rich Chinese will get richer, too. The thatched roof houses of the poor people who live along the river will be thirty feet under water.
There is a young man who trusts me to give him advice. His mother is suddenly in the intensive care unit at the hospital. He is ashamed that he doesn’t understand her condition and doesn’t know how to make things better for her. I take the young man to the hospital and help him talk to the social worker. I joke with his mother in my bad Spanish and make her laugh. He feels a little better. I would be proud to be this young man’s father.
Automatic weapon fire blows apart a whole school full of tiny, fragile bodies. Even with the knowledge that they will never hold their own children again, the parents go to Washington and say please don’t let this happen to some one else. But the Republicans have so blatantly sold their souls, you got to wonder why God doesn’t strike them down. Hey God, where is the fire? Where is the brimstone? Where are the frogs and boils?
I am three floors above sea level in an old, old building. Looking out through wavy glass I can see the beach curve away to the north. A poet is reading about her memories of living in Alaska. I know many people in the room. Some of them I’ve known for forty years. In that moment, The New York Times and National Public Radio are far away. I don’t think so much about the little things. The big things are more important.
My granddaughter is fussing in her car seat. I corkscrew my arm back and grope around for her blinky. I help her get it to her mouth. My beautiful daughter smiles at her beautiful daughter in the rearview mirror. The baby grabs my index finger in her damp, four month old fist and goes back to sleep. Something to suck on, the purr of the motor, someone within reach who loves her, is all she needs for contentment.
Way up in the mountains of Honduras there are plans to build a dam that no one needs or wants. It will make rich Hondurans richer. They will siphon off their share. It will make rich Americans richer. They will sell unsustainable technology to the rich Honduras. Some how the Chinese are involved. Some rich Chinese will get richer, too. The thatched roof houses of the poor people who live along the river will be thirty feet under water.
There is a young man who trusts me to give him advice. His mother is suddenly in the intensive care unit at the hospital. He is ashamed that he doesn’t understand her condition and doesn’t know how to make things better for her. I take the young man to the hospital and help him talk to the social worker. I joke with his mother in my bad Spanish and make her laugh. He feels a little better. I would be proud to be this young man’s father.
Automatic weapon fire blows apart a whole school full of tiny, fragile bodies. Even with the knowledge that they will never hold their own children again, the parents go to Washington and say please don’t let this happen to some one else. But the Republicans have so blatantly sold their souls, you got to wonder why God doesn’t strike them down. Hey God, where is the fire? Where is the brimstone? Where are the frogs and boils?
I am three floors above sea level in an old, old building. Looking out through wavy glass I can see the beach curve away to the north. A poet is reading about her memories of living in Alaska. I know many people in the room. Some of them I’ve known for forty years. In that moment, The New York Times and National Public Radio are far away. I don’t think so much about the little things. The big things are more important.
John Kotula is a writer and artist who lives in Peace Dale, Rhode Island.
Labels:
Alaska,
bombing,
Boston Marathon,
Chinese,
Congress,
Honduras,
John Kotula,
new verse news,
Newtown,
NPR,
poetry,
REPUBLICANS,
suspect,
Times,
Washington
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